Review of Darren Aronofsky's "Noah"

Noah, a major motion picture directed by Darren Aronofsky, was released in 2014. I only recently watched the film and, for the most part, I enjoyed it. Starring Russell Crowe as Noah, it isn’t a typical biblical epic of the Cecil B. DeMille variety with cheesy effects, melodramatic acting, and overwrought dialogue. Just like DeMille’s epics, it embellishes the source material, but it is true to the spirit, if not the letter, of the biblical text. It follows in the tradition of Jewish midrash, which sought to fill in gaps in the biblical narrative, sometimes in fanciful ways. (Warning: Spoilers ahead!)

Russell Crowe stars as Noah

For example, one of the more interesting novelties in the movie is that of the Watchers. To provide manpower for ark construction, Noah enlists the aid of fallen angels whose bodies of light have become trapped within rock. Not surprisingly, Noah’s construction project and the mass migrations of thousands of animals have attracted the attention of Noah’s ruthless contemporaries and when the rain starts to fall and the mob tries to take the ark, the Watchers are instrumental in repelling the invaders.

"Noah" is sort of a mashup of "The Lord of the Rings" and "Mad Max"

I’m sure for many in the audience, this seems to be taking great liberties with the Bible, but the myth of the Watchers is well-known to those who have studied the inter-testamental literature – that is, the various non-biblical books written between the time of the OT and the NT – especially, the Book of Enoch. The Watchers were the “sons of God” who both taught humans the arts of mining and metallurgy and also mated with the “daughters of men” to give birth to the “giants” (or Nephilim). 

Fundamentalists, of course, have problems with the movie not being true to the letter of Scripture. One creationist review complains that the movie wasn’t historically accurate because it didn’t show Noah bringing dinosaurs on board the Ark. Seriously. Others have problems with the symbolism used in the movie. Christian theologian Brian Mattson calls it a pagan retelling of the flood story based on teachings from Kabbalah (Jewish mysticism) and Gnosticism (a heretic form of Christianity), two incompatible philosophies that he seems to conflate. Peter Chattaway at patheos.com wrote an article clarifying that “No, Noah is not Gnostic” (the actual title of his article). 

Another complaint of evangelical critics is that God did not speak to Noah in a clear and unambiguous fashion as he does in the Bible. “The Creator” (never called “God” in the movie) only revealed his plan to Noah in the form of a dream of a drowned world. But after coming in close contact with the brutal humans who overrun the antediluvian world, Noah decides that the Creator only wants to preserve the innocent animals and accepts that humanity is fated to die with him and his family after they live out their natural lives. Clearly, if the Creator had laid it out for Noah as God does in the Bible, the last part of the movie would have been less suspenseful.

But in real life, we’re not always sure what God’s will is. The Noah portrayed in the movie certainly wanted to follow the will of “the Creator” and thought he understood that will. But when Shem’s previously barren wife becomes pregnant with twin girls aboard ship, Noah decides that carrying out the Creator’s wishes will require him to slay the babies because they will grow up to bear children of their own. When Noah’s love for his family prevents him from doing that, he sees himself as a failure. It falls to his daughter-in-law to explain that the Creator chose him because Noah could see the good and evil in people and know if there was enough good left in humanity to make it worth saving.

Part of the reason evangelicals do not like the movie is that Noah is considered something of a saint in Christian theology. The Bible points out on multiple occasions (Gen 6:22; 7:5, 9, 16) that Noah did all that God commanded him, God established a covenant with him, Noah was considered a “righteous man” and so on. In the NT the flood was seen as a sort of extreme baptism (see 1 Peter 3:20-21), destroying the old world of sin out of which a new world would be born, and Noah was the instrument for salvation.

But Jews don’t see Noah the same way. One of the new insights that I discovered in preparing this review was in an interview by The Times of Israel with “America’s rabbi” Shmuley Boteach. Rabbi Boteach points out why the biblical Noah is not considered a hero in Jewish tradition:

He [Noah] failed in the greatest mission of all. He failed to protect human life. And failed to fight with God when he wanted to take human life. He refuses to wrestle with God. Noah is a fundamentalist. He’s a religious extremist. God says “everyone will die” and Noah says nothing. But this is not what God wants. God wants people with moxie! God wants people with spiritual audacity! He does not want the obedient man of belief. He wants the defiant man of faith.

The rabbi points out, by way of contrast, that when Abraham was told that YHWH planned to destroy Sodom, Abraham didn’t just nod his head and say, “Thy will be done.” Instead, he interceded on behalf of Sodom (Gen 18-22-33), forcing YHWH to agree to spare the city if only 10 righteous people could be found in it. “This made him the first Jew. A Jew does not just accept a divine decree, he does not just bow his head in silent obedience.”

In the final analysis, Noah portrays a religious man who will go to extremes to follow what he believes is the Creator’s will. His obsession will either guarantee the salvation of life on earth or result in the extermination of the human race. The outcome rests on his humanity.